Researcher Development Programme (RDP) course timetable
June 2021
Fri 25 |
You don’t think you are creative? Think again! This course is all about discovering easily accessible methods of visual storytelling to make your research more engaging. Visualisations are key to successful research story telling (and often research processes itself). They can help engage wide audiences effectively as well as communicate research quickly and intuitively to a wide range of audiences. This course will introduce you to a range of illustration techniques using simple exercises to get you started on illustrating your own research, and feel more confident in working with visual material. No previous knowledge or special equipment required. The trainer will work with you personally to develop your new creative skills and to get started with your very own research visualisation. The course will be led by Sally Stevens. Sally is an artist and animator based in Bristol, UK. Her moving image work encompasses 2D animation techniques including hand-drawn and paper cut-out, as well as video editing. She is interested in the use of animation in relation to performance, in visual analogy as a scientific tool, and has a fascination with composition and with the timing of things. She has a background in illustration and music, and has worked with theatre, orchestras and music groups to produce visual material for live events as well as video. She studied Animation MA at the Royal College of Art and since graduating has worked as a freelancer in London and Bristol, for clients including The Jersey Maritime Museum, The School of Life, the Disney Channel, M&C Saatchi, and Sound UK. |
Mon 28 |
A good poster’s worth 1000 words… but a bad poster’s just a bit of messy paper. When it’s time for you to present your scientific poster how are you going to make the most of the opportunity? We’ll think about why we use posters to present our research, what makes the difference between a good and bad poster and some useful tips to help you present your data in style. Please note, this is an introductory course to help you start preparing for your first poster sessions... |
Tue 29 |
Present your Research (STEMM)
Finished
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Wed 30 |
Engaged Researcher Online - An Introduction To Public And Patient Involvement And Engagement (PPI/E)
Finished
This course will give an introduction to Public and Patient Involvement. You will find out about local support available in the region to help plan, deliver and build PPI into research, that will improve research for patients and services users and carers. This course will be delivered by Dr Amanda Stranks, PPI/E and Communications Strategy Lead NIHR Cambridge BRC Communications and PPI/E Department. |
July 2021
Mon 5 |
In this series of four sessions we’ll be taking an in-depth look at various aspects of writing at postgraduate level. Each session will be 90mins, with 30mins at the end for questions and discussion. Whilst they have been designed as a set of sessions, with each building on from the previous, the individual sessions have been designed to be standalone – which means that you can attend the whole series or just those that particularly speak to you.
In this first session, we’ll be taking a step back and reflecting for a moment on what it is that you’re actually doing at PG level, as this is far more than simply writing. You’re engaging in a complex, cognitive process of knowledge creation. And so when the writing gets hard, its useful just to remember that what you are doing is far more complicated than just writing – as writing is something that you can all already do and to a pretty high degree of ability. In fact, as we will see, there are numerous factors involved in writing at this level, from the epistemological assumptions of your discipline, through how we construct argument, before we even get to how we construct an articulate sentence – and we’ll be looking at all of these.
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Tue 6 |
Writing at postgraduate level: The University’s criterion ‘clearly written’ – what this means
Finished
In this series of four sessions we’ll be taking an in-depth look at various aspects of writing at postgraduate level. Each session will be 90mins, with 30mins at the end for questions and discussion. Whilst they have been designed as a set of sessions, with each building on from the previous, the individual sessions have been designed to be standalone – which means that you can attend the whole series or just those that particularly speak to you.
If you’ve ever had a look at the Cambridge Student webpages as to the requirements of postgraduate writing submitted for assessment, you’ll see that the University has only one criterion – and this is that it is ‘clearly written.’ At first glance, this seems both explicit and unequivocal as clarity in all its forms is surely the bedrock not only of postgraduate study, but of academia itself. Yet on further scrutiny, whilst there may be an instinctive consensus that this is a cardinal criterion for postgraduate writing, when it comes to defining what this actually means and how we are supposed to attain it, the matter is far less perspicuous. And indeed, clearly written is not simply an assessment criterion at Cambridge, as the vast majority of guides to academic writing rhapsodise about clarity as an assumed mutually acknowledged objective. Yet rarely is this criterion unpacked. And so in this second session, we’ll be looking at doing just that – by considering what academics see as the central tenet of ‘clearly written’, namely, argument, and also in what ways the rhetorical expectations of ‘clearly written’ in English may differ from the expectations in other languages.
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Wed 7 |
An interactive and informal session looking at:
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Thu 8 |
In this series of four sessions we’ll be taking an in-depth look at various aspects of writing at postgraduate level. Each session will be 90mins, with 30mins at the end for questions and discussion. Whilst they have been designed as a set of sessions, with each building on from the previous, the individual sessions have been designed to be standalone – which means that you can attend the whole series or just those that particularly speak to you.
The primary focus of most writing training is on honing your skills as a writer – and for obvious reasons. But what tends to be overlooked is the reason why we are writing – namely, to be read. Text is generated to be read by a reader and as soon as it has been submitted, it belongs to the reader, a reader who has no recourse to question the writer. This is why the monological form of writing is difficult, as the writer has to structure the text and articulate the content in such a way that they will hopefully be received by the reader as the writer intended it, and so it has to be clearly articulated. And this is precisely an aspect that novice postgraduate writers often struggle with – the research has been conducted and it is now simply a case of getting it down on the page. As one academic I have spoken to about this put it, they tend to write with no empathy for the reader, thereby forcing the reader to do the hard work of trying to elicit from what they have said what it is that they are actually trying to say. Being widely read has long been known as good training for a writer – but explicitly thinking of the reader when constructing text is often overlooked, when in fact it proffers a useful frame through which to view one’s own writing. So, in this third session we’ll be looking at the concept of reader empathy and why it’s important to think of your reader when writing. We’ll look at a range of strategies to help you to do this: from the macro perspective of the structure of the entire document, through rhetorical templates, right down to where the reader expects information to be in a sentence.
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Fri 9 |
In this series of four sessions we’ll be taking an in-depth look at various aspects of writing at postgraduate level. Each session will be 90mins, with 30mins at the end for questions and discussion. Whilst they have been designed as a set of sessions, with each building on from the previous, the individual sessions have been designed to be standalone – which means that you can attend the whole series or just those that particularly speak to you.
Having got everything down on paper in a first draft is a huge achievement, but this is where the work really starts in the editing – refining the structure, the content, and the language to strengthen your argument and the clarity of your articulation. Academics I’ve spoken to say that on average they go through between 10-20 rounds of edits in their own writing, with the lower end being more in the sciences disciplines and the higher figure more in the arts and humanities disciplines. In this final session, we’ll be looking at editing from a macro, through the mezzo, and down to the micro level, from the bigger picture of how the entire document hangs together, through how to keep the argument on track at the mezzo level, and then right down to individual paragraphs and sentence, where we’ll be looking at such features as hedging, emphasis, passive voice, and nominalisations.
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In this series of four sessions we’ll be taking an in-depth look at various aspects of writing at postgraduate level. Each session will be 90mins, with 30mins at the end for questions and discussion. Whilst they have been designed as a set of sessions, with each building on from the previous, the individual sessions have been designed to be standalone – which means that you can attend the whole series or just those that particularly speak to you.
This is an optional practical editing session where you’ll have the opportunity to put what you’ve taken from the morning’s session into practice by sharing your own writing with others and both getting and giving feedback
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Mon 12 |
Have you ever wanted to get creative with your research – to discover how writing can bring a new perspective to your research? How your words can engage with new audiences about the academic research that you are passionate about? This training will enable you to develop creative ways by which you can engage with the public, providing you with the resources to be more confident in developing, and sharing, creative writing responses to your area of research. The course will introduce creative writing for poetry and prose, and textual writing for exhibition / display. It will discuss developing writing for performance and for publication and work with you to bring out the creative responses that lay within your own work. There will be the opportunity to receive written feedback throughout the week, to share your work at a final showcase, and to discuss your work in a 1-to-1 session with the course tutor on Wednesday 14th July (if requested in advance). The training will be led by David Cain. David’s most recent book, Truth Street, was shortlisted for the prestigious Forward Prizes for Poetry (2019). David brings his writing experience together with a passion for public engagement - he currently leads the delivery of the Cambridge Festival. |
Fri 16 |
Have you ever wanted to get creative with your research – to discover how writing can bring a new perspective to your research? How your words can engage with new audiences about the academic research that you are passionate about? This training will enable you to develop creative ways by which you can engage with the public, providing you with the resources to be more confident in developing, and sharing, creative writing responses to your area of research. The course will introduce creative writing for poetry and prose, and textual writing for exhibition / display. It will discuss developing writing for performance and for publication and work with you to bring out the creative responses that lay within your own work. There will be the opportunity to receive written feedback throughout the week, to share your work at a final showcase, and to discuss your work in a 1-to-1 session with the course tutor on Wednesday 14th July (if requested in advance). The training will be led by David Cain. David’s most recent book, Truth Street, was shortlisted for the prestigious Forward Prizes for Poetry (2019). David brings his writing experience together with a passion for public engagement - he currently leads the delivery of the Cambridge Festival. |
Mon 26 |
We live in visually over-saturated society. How can we use visual information to help communicate an idea with impact and effectiveness? Animation can be a powerful tool to convey a message and to capture your audiences attention and interest. It allows huge leaps in time/ concept because we have accepted the visual language of cinema, we are soaked in it, so a car can become a dinosaur and a tennis ball a mitochondria. Animation allows a whole concept to be encapsulated and transmitted without the barrier of language, across cultures. This course will introduce you to a range of animation and storytelling techniques using simple exercises to get you started on animating your own research, and feel more confident in working with visual material. The trainer will work with you personally to develop your new creative skills and to get started with your very own research visualisation. The course will be led by Sally Stevens. Sally is an artist and animator based in Bristol, UK. Her moving image work encompasses 2D animation techniques including hand-drawn and paper cut-out, as well as video editing. She is interested in the use of animation in relation to performance, in visual analogy as a scientific tool, and has a fascination with composition and with the timing of things. She has a background in illustration and music, and has worked with theatre, orchestras and music groups to produce visual material for live events as well as video. She studied Animation MA at the Royal College of Art and since graduating has worked as a freelancer in London and Bristol, for clients including The Jersey Maritime Museum, The School of Life, the Disney Channel, M&C Saatchi, and Sound UK. |
Wed 28 |
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We live in visually over-saturated society. How can we use visual information to help communicate an idea with impact and effectiveness? Animation can be a powerful tool to convey a message and to capture your audiences attention and interest. It allows huge leaps in time/ concept because we have accepted the visual language of cinema, we are soaked in it, so a car can become a dinosaur and a tennis ball a mitochondria. Animation allows a whole concept to be encapsulated and transmitted without the barrier of language, across cultures. This course will introduce you to a range of animation and storytelling techniques using simple exercises to get you started on animating your own research, and feel more confident in working with visual material. The trainer will work with you personally to develop your new creative skills and to get started with your very own research visualisation. The course will be led by Sally Stevens. Sally is an artist and animator based in Bristol, UK. Her moving image work encompasses 2D animation techniques including hand-drawn and paper cut-out, as well as video editing. She is interested in the use of animation in relation to performance, in visual analogy as a scientific tool, and has a fascination with composition and with the timing of things. She has a background in illustration and music, and has worked with theatre, orchestras and music groups to produce visual material for live events as well as video. She studied Animation MA at the Royal College of Art and since graduating has worked as a freelancer in London and Bristol, for clients including The Jersey Maritime Museum, The School of Life, the Disney Channel, M&C Saatchi, and Sound UK. |
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Thu 29 |
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Fri 30 |
We live in visually over-saturated society. How can we use visual information to help communicate an idea with impact and effectiveness? Animation can be a powerful tool to convey a message and to capture your audiences attention and interest. It allows huge leaps in time/ concept because we have accepted the visual language of cinema, we are soaked in it, so a car can become a dinosaur and a tennis ball a mitochondria. Animation allows a whole concept to be encapsulated and transmitted without the barrier of language, across cultures. This course will introduce you to a range of animation and storytelling techniques using simple exercises to get you started on animating your own research, and feel more confident in working with visual material. The trainer will work with you personally to develop your new creative skills and to get started with your very own research visualisation. The course will be led by Sally Stevens. Sally is an artist and animator based in Bristol, UK. Her moving image work encompasses 2D animation techniques including hand-drawn and paper cut-out, as well as video editing. She is interested in the use of animation in relation to performance, in visual analogy as a scientific tool, and has a fascination with composition and with the timing of things. She has a background in illustration and music, and has worked with theatre, orchestras and music groups to produce visual material for live events as well as video. She studied Animation MA at the Royal College of Art and since graduating has worked as a freelancer in London and Bristol, for clients including The Jersey Maritime Museum, The School of Life, the Disney Channel, M&C Saatchi, and Sound UK. |
September 2021
Tue 28 |
Engaging young people with your research can be very worthwhile and rewarding. This training session will support you with your public engagement work with schools by introducing you to the UK school system and discussing how public engagement work can fit with existing school priorities. We will consider ways in which your work can make an impact and briefly consider how public engagement can work with underrepresented groups and contribute to diversity and inclusion initiatives. You’ll be introduced to ways in which the University already works with schools to provide you with ideas for collaboration. Lastly, we’ll begin to think about how to plan and design activities suitable for school audiences. At the end of this session, you’ll hopefully feel more confident about how to work effectively with schools and can start thinking about your own public engagement work. The group session will be followed by the opportunity for a one-to-one 15-minute session with the trainer where you can discuss your projects, ideas and questions and get project specific help. This course will be led by Michelle Tang. Michelle currently works as the Deputy Head of Widening Participation for the University (within the Cambridge Admissions Office). In her role, she oversees a team who work with over 200 schools and 5000 school-aged students each year in a number of widening participation programmes including the University’s flagship HE+ programme, the Sutton Trust Summer Schools and the Insight programme. She has also previously worked as a Schools Liaison Officer, travelling and visiting schools all over the UK but particularly in Yorkshire, Berkshire and Scotland. Michelle completed the Teach First Leadership Development Programme in 2016, during which she worked as a primary school teacher in north London, and holds a PGCE from the Institute of Education. She is passionate about social mobility and the transformative power of education in closing equality gaps. |
October 2021
Fri 1 |
Engaging young people with your research can be very worthwhile and rewarding. This training session will support you with your public engagement work with schools by introducing you to the UK school system and discussing how public engagement work can fit with existing school priorities. We will consider ways in which your work can make an impact and briefly consider how public engagement can work with underrepresented groups and contribute to diversity and inclusion initiatives. You’ll be introduced to ways in which the University already works with schools to provide you with ideas for collaboration. Lastly, we’ll begin to think about how to plan and design activities suitable for school audiences. At the end of this session, you’ll hopefully feel more confident about how to work effectively with schools and can start thinking about your own public engagement work. The group session will be followed by the opportunity for a one-to-one 15-minute session with the trainer where you can discuss your projects, ideas and questions and get project specific help. This course will be led by Michelle Tang. Michelle currently works as the Deputy Head of Widening Participation for the University (within the Cambridge Admissions Office). In her role, she oversees a team who work with over 200 schools and 5000 school-aged students each year in a number of widening participation programmes including the University’s flagship HE+ programme, the Sutton Trust Summer Schools and the Insight programme. She has also previously worked as a Schools Liaison Officer, travelling and visiting schools all over the UK but particularly in Yorkshire, Berkshire and Scotland. Michelle completed the Teach First Leadership Development Programme in 2016, during which she worked as a primary school teacher in north London, and holds a PGCE from the Institute of Education. She is passionate about social mobility and the transformative power of education in closing equality gaps. |
Fri 8 |
Everyone who works with children has a responsibility for keeping them safe. This safeguarding training has been designed specifically to support researchers who may be new to working with children and schools. In this introductory session, we will understand what safeguarding and child protection means and what it involves, discuss potential signs that a young person might be being abused and what to do if you have a safeguarding concern. We will look at some general good practice as well as how to plan events and sessions with safeguarding in mind. This course will be led by Michelle Tang. Michelle currently works as the Deputy Head of Widening Participation for the University (within the Cambridge Admissions Office). In her role, she oversees a team who work with over 200 schools and 5000 school-aged students each year in a number of widening participation programmes including the University’s flagship HE+ programme, the Sutton Trust Summer Schools and the Insight programme. She has also previously worked as a Schools Liaison Officer, travelling and visiting schools all over the UK but particularly in Yorkshire, Berkshire and Scotland. Michelle completed the Teach First Leadership Development Programme in 2016, during which she worked as a primary school teacher in north London, and holds a PGCE from the Institute of Education. She is passionate about social mobility and the transformative power of education in closing equality gaps. |
Wed 13 |
Why is YouTube popular? Because people love watching videos. A research video can be a great way to get your message across to your collaborators, your friends, and the wider world as well as being a condition of some funding bodies. But it isn't easy to do well - and this is where this course will make a difference. Come along and learn the skills needed to plan, shoot & edit high quality footage for research videos so that your video can stand out from the crowd. You just need yourself, a camera phone and your enthusiasm! You will have the opportunity for a one-to-one 30-minute session with the trainer where you can discuss your ideas and questions and get project specific help. The course will be led by Ryd Cook. Ryd is a multi award winning film director, actor and mentor. His fiction and documentary films have screened in film festivals around the world. He has 15+ years of experience, filming, editing and producing a range of films. He has also been teaching practical filmmaking for over 10 years for all ages. He currently works as a director, cameraperson, actor and mentor. |
Thu 14 |
This course gives an introduction for researchers working in Science, Technology, Engineering, Mathematics and Clinical subjects into how to engage with the public through media. It will cover the differing types of media, what makes research newsworthy, how to work with the communications office to gain media coverage, what to expect from an interview (print, pre-recorded, live) and how to communicate well in interviews. It will be delivered by the University Communications team. |
Fri 15 |
Why is YouTube popular? Because people love watching videos. A research video can be a great way to get your message across to your collaborators, your friends, and the wider world as well as being a condition of some funding bodies. But it isn't easy to do well - and this is where this course will make a difference. Come along and learn the skills needed to plan, shoot & edit high quality footage for research videos so that your video can stand out from the crowd. You just need yourself, a camera phone and your enthusiasm! You will have the opportunity for a one-to-one 30-minute session with the trainer where you can discuss your ideas and questions and get project specific help. The course will be led by Ryd Cook. Ryd is a multi award winning film director, actor and mentor. His fiction and documentary films have screened in film festivals around the world. He has 15+ years of experience, filming, editing and producing a range of films. He has also been teaching practical filmmaking for over 10 years for all ages. He currently works as a director, cameraperson, actor and mentor. |
Tue 19 |
Practical extension of the Research Storytelling theory session to put knowledge into practice with your own research. This includes individual coaching, peer mentoring sessions, and a final showcase session which also looks at the next steps to take these stories further. Attendees must have already attended the Research Storytelling Introduction session or the Research Storytelling course delivered in the past years. 20-min one-to-one sessions with the trainer on 20 or 21 October must be booked directly with the trainer. The course will be led by Sarah Cruise. Sarah is passionate about the art and science of communication and eloquential is her rattle bag of knowledge, skills and experience which she uses to train, coach and facilitate. Sarah collects research from areas such as psychology and neuroscience, along with practitioners experience from the performing arts to fill her bag of tricks, tips and advice. Sarah has been involved in public engagement training since 2006, working closely with Cambridge University. She is also a peripatetic teacher of communication and performance skills in schools and a co-presenter on the Gin & Topic podcast. |
Wed 20 |
Practical extension of the Research Storytelling theory session to put knowledge into practice with your own research. This includes individual coaching, peer mentoring sessions, and a final showcase session which also looks at the next steps to take these stories further. Attendees must have already attended the Research Storytelling Introduction session or the Research Storytelling course delivered in the past years. 20-min one-to-one sessions with the trainer on 20 or 21 October must be booked directly with the trainer. The course will be led by Sarah Cruise. Sarah is passionate about the art and science of communication and eloquential is her rattle bag of knowledge, skills and experience which she uses to train, coach and facilitate. Sarah collects research from areas such as psychology and neuroscience, along with practitioners experience from the performing arts to fill her bag of tricks, tips and advice. Sarah has been involved in public engagement training since 2006, working closely with Cambridge University. She is also a peripatetic teacher of communication and performance skills in schools and a co-presenter on the Gin & Topic podcast. |
We’ll be looking at the what, why and how of public engagement and introducing researchers to some of the ways to plan an effective public engagement project. Topics:
This course will be led by Dr Lucy Spokes, the Head of Public Engagement. The group session will be followed by the opportunity for a one-to-one 15-minute session where you can discuss your projects, ideas and questions and get project specific help. This individual optional session can be booked either with Lucy or with Dr Selen Etingu-Breslaw, the Public Engagement and Impact Manager (Arts, Humanities, Social Sciences, Physical Sciences and Technology). |