Theme: Writing Skills

A crash course in what you need to know about scientific writing. This lecture is aimed at those writing scientific papers, but many of the principles apply equally to writing a doctoral dissertation. The examples given are mostly in the area of of Biochemistry research, but applicable to many others.

Once upon a time there was a researcher who spun a story so enthralling that it captured their audience’s imagination and they remembered the research for years to come.

Was that researcher you? Would you like it to be?

Telling a good story helps you connect with an audience; brings your research to life, visually and emotionally; and makes it easier for them to listen, understand and remember your research.

This module takes you through the art and science of storytelling: understanding attention, motivation and the evolution of storytelling, the strength of non-verbal connections, dramatic structures and rhetorical devices; to give you the skills to craft an engaging story to communicate your own research.

And if you want to apply this on a specific story of your own, then further support is available through individual coaching.

Sarah is passionate about the art and science of communication and eloquential is her rattle bag of knowledge, skills and experience which she uses to train, coach and facilitate. Sarah collects research from areas such as psychology and neuroscience, along with practitioners’ experience from the performing arts to fill her bag of tricks, tips and advice. Sarah has been involved in public engagement since 2006, working closely with the Cambridge University. She is also a peripatetic teacher of communication and performance skills in schools, and a co-host of a podcast called Gin and Topic

Practical extension of the Research Storytelling theory session to put knowledge into practice with your own research. This includes individual coaching, peer mentoring sessions, and a final showcase session which also looks at the next steps to take these stories further. Attendees must have already attended the Research Storytelling Introduction session or the Research Storytelling course delivered in the past years. 20-min one-to-one sessions with the trainer on 20 or 21 October must be booked directly with the trainer.

The course will be led by Sarah Cruise. Sarah is passionate about the art and science of communication and eloquential is her rattle bag of knowledge, skills and experience which she uses to train, coach and facilitate. Sarah collects research from areas such as psychology and neuroscience, along with practitioners experience from the performing arts to fill her bag of tricks, tips and advice. Sarah has been involved in public engagement training since 2006, working closely with Cambridge University. She is also a peripatetic teacher of communication and performance skills in schools and a co-presenter on the Gin & Topic podcast.

Have you ever wanted to get creative with your research – to discover how writing can bring a new perspective to your research? How your words can engage with new audiences about the academic research that you are passionate about?

This training will enable you to develop creative ways by which you can engage with the public, providing you with the resources to be more confident in developing, and sharing, creative writing responses to your area of research.

The course will introduce creative writing for poetry and prose, and textual writing for exhibition / display. It will discuss developing writing for performance and for publication and work with you to bring out the creative responses that lay within your own work. There will be the opportunity to receive written feedback throughout the week, to share your work at a final showcase, and to discuss your work in a 1-to-1 session with the course tutor (if requested in advance).

The training will be led by David Cain. David’s most recent book, Truth Street, was shortlisted for the prestigious Forward Prizes for Poetry (2019). David brings his writing experience together with a passion for public engagement - he currently leads the delivery of the Cambridge Festival.